IAPL 2003 - ORGANIZED SESSIONS

Organized and Chaired by *Tony O’Connor (Philosophy, University College Cork, Cork, IRELAND)

The Myth of the Origin: Avant-Text and Apres-Text in Helene Cixous' Le Livre de Promethea and Antoine Compagnon's La Seconde

Organized by *Ina Paul-Horn (Philosophy, Institute for Interdisciplinary Research and Continuing Education, University of Klagenfurt, Klagenfurt, GERMANY)

Chaired by *Elfie Miklautz (Sociology, Vienna University of Economics and Business Administration, Vienna, AUSTRIA)

1. *Silvia Dapia (Letters and Languages, Purdue University North Central, Westville, IN, USA)

2. *Anna Aloisia Moser (Philosophy, New School University, New York, NY, USA)

3. *Ina Paul-Horn (Philosophy, Institute for Interdisciplinary Research and Continuing Education, University of Klagenfurt, Klagenfurt, GERMANY)

Organized, Chaired, and Introduced by *Alison Ross (Comparative Literature, Monash University, Melbourne, AUSTRALIA)

2. *Claire Colebrook (English Literature, University of Edinburgh, Edinburgh, SCOTLAND)

3. *Adrian Mackenzie (Cultural Theory, Institute for Cultural Research, Lancaster University, Lancaster, ENGLAND)

Organized and Chaired by *Apostolos Vasilakis (Comparative Literature, Emory University, Atlanta, GA, USA)

1. *Linda M. Brooks (Comparative Literature, University of Georgia, Athens, GA, USA)

Political Identity Building: Latin American Testimonial Literature and Aesthetic Self Construction

2. *Kalliopi Nikolopoulou (Comparative Literature, Vanderbilt University, Nashville, TN, USA)

3. *Max Statkiewicz (Comparative Literature, University of Wisconsin-Madison, Madison, WI, USA)

Organized by *Thomas P. Brockelman (Philosophy, LeMoyne College, Syracuse, New York, USA)

Chaired and Introduced by *Forbes Morlock (Syracuse University DIPA, London, UK)

12.06 (OS-17) BOLLYWOOD DREAMINGS: AESTHETIC OF A CULTURAL PHANTASIA [Sullivan Room]
Organized by Purushottama Bilimoria (Philosophy, Deakin University, Melbourne, AUSTRALIA)

1. *Rekha Menon (Art History/Fine Arts, State University of New York - Buffalo State College, Tonawanda, NY, USA)

2. *Sally Percival-Wood (Sophia Journal, Melbourne University and Deakin University, Melbourne, AUSTRALIA)

Gendering the Agenda: (Re)Writing or (Re)Capitulating the Feminine Aesthetic in A. R. Rahman’s ‘Bombay Dreams’

3. Purushottama Bilimoria (Philosophy, Deakin University, Geelong, AUSTRALIA)

4. *Deepak Sawhney (Liberal and Civic Studies, Saint Mary's College of California,
Moraga, CA USA)

purchase tickets at the IAPL registration desk for QUO VADIS (opposite the Leeds Town Hall)

Organized, Chaired, and Introduced by *Drew A. Hyland (Philosophy, Trinity College, Hartford, CT, USA)

1. *Ashley Pryor (Women’s and Gender Studies and Philosophy, University of Toledo, Toledo, OH, USA)

Plato and the Musicality of Moods

2. *Christopher Philip Long (Philosophy, Richard Stockton College, Pomona, NJ, USA)

Socrates and the Politics of Art

3. *Galen Johnson (Philosophy, University of Rhode Island, , RI, USA)

From Aristotle's Poetics to Newman's Vir Heroicus Sublimis: The Contest Over Origins

13.02 (SP-02): THE AESTHETE AND AESTHETICS IN KIERKEGAARD [Spark Room]

Organized, Chaired, and Introduced by Roy Martinez (Philosophy and Religion, Spelman College, Atlanta, GA, USA)

1. *Jan Evans (Spanish Literature, Baylor University, Waco, TX, USA) and *C. Stephen Evans (Philosophy, Baylor University, Waco, TX, USA)

Kierkegaard's Concept of the Aesthetic in Unamuno's Niebla

2. *Rick Anthony Furtak (Philosophy, University of Chicago, Chicago, IL USA)

Aesthetic Perception and the Writing of the Real

3. *Jolita Pons (Philosophy, Trinity College, Cambridge, ENGLAND)

The Defense of the Surplus: Kierkegaard's Philosophical Writing

4. *Andrew J. Burgess (Religious Studies, University of New Mexico, Albuquerque, NM, USA)

Kierkegaard on Rhetoric and Aesthetics

13.03 (SP-03): REINSCRIBING AESTHETICS: INFORMATION, INFORME, INFORMANCE [Sullivan Room]

Organized by *Henk Oosterling (Philosophy, Erasmus University, Rotterdam, THE NETHERLANDS)

Chaired by *Piet Molendijk (Philosophy, Center for Philosophy and Arts, Erasmus University, Rotterdam, THE NETHERLANDS)

1. *Awee Prins (Philosophy, Erasmus University, Rotterdam, THE NETHERLANDS)

Informing Auschwitz: The Heidegger/Celan Encounter

2. *Renée van de Vall (Philosophy, University of Maastricht, Maastricht, THE NETHERLANDS)

Rhythms of the Third Fold: On Tactility, Visuality and New Media

3. *Richard de Brabander (Philosophy, Center for Philosophy & Arts Rotterdam and Amsterdam School of Cultural Analysis, University of Amsterdam, Rotterdam, THE NETHERLANDS)

The Politics of Writing Aesthetics: Confronting Blanchot and Derrida and Deleuze

4. *Marc de Kesel (Philosophy and Political Theory, Katholieke Universiteit Njmegen, Nijmegen, THE NETHERLANDS)

Informal Socle: On Bataille, Manzoni and the Aesthetic Subject of (Post-)Modern Criticism

13.04 (SP-04) FILMING DERRIDA [Albert Room]

Organized, Chaired, and Introduced by *Hugh J. Silverman (Philosophy and Comparative Literature, Stony Brook University, Stony Brook NY USA)

1. Herman Rapaport (English, University of Southampton, Southamption, UK)

The Rites of Inspection: Derrida par lui-même

2. Nicholas Royle (English, University of Sussex, Falmer, Sussex, UK)

3. Stephen Barker (School of the Arts, University of California at Irvine, Irvine, CA USA)

Responses (with additional video materials not included in the official version of the film) by Amy Ziering Kofman (Co-Director/ Producer, Derrida the Movie, CA USA)

UNIVERSITY OF LEEDS (15 minute walk up the hill to campus; minibus available for those unable to walk)

JUDITH BUTLER (Maxine Elliot Professor of Rhetoric and Comparative Literature, University of California, Berkeley, CA USA)

School of Fine Art, History of Art and Cultural Studies foyer
Baines Wing, University of Leeds, LEEDS LS2 9JT
( located opposite the Michael Sadler Building)