All concurrent sessions held at the Leeds Town Hall
Thursday, 29 May 2003 - 8:00 morning
GROUP 09 - EXCURSION TO FOUNTAINS ABBEY < http://www.fountainsabbey.org.uk/>
BUS LEAVES FROM THE MARRIOTT HOTEL AT 8:00
VISIT OF FOUNTAINS ABBEY - begins at 10:00
COST OF TICKET for Coach ride £15 (bus holds 50 people)
SIGN UP FOR EXCURSION (and purchase ticket at IAPL REGISTRATION DESK by Wednesday, NOON)
COACH RETURNS at 12.30 for arrival in Leeds at
13.30.
LUNCH 12:30-14:00
purchase tickets for the week at the IAPL registration desk for QUO VADIS (opposite the Leeds Town Hall)
Thursday, 29 May 2003 14:00-17:00
10. GROUP - INVITED SYMPOSIA
10.01 (IS-01) THE MOUNTAIN DEVIL LIZARD DREAMING OF KATHLEEN PETYARRE: "FEMINIST AESTHETICS' MEETS 'INDIGENOUS ART' [Sullivan Room]
Organized by *Robyn Ferrell (Philosophy, University of Tasmania, Hobart, AUSTRALIA)
Chaired by TBA
1. *Jennifer Biddle (Anthropology, Macquarie University, Sydney, AUSTRALIA)
Canvas-Country-Skin
2. *Barbara Ruth Bolt (Visual Arts, University of the Sunshine Coast, Moffat Beach, AUSTRALIA)
Deleuze, Materiality and the Performative art of Petyarre
3. *Robyn Ferrell (Philosophy, University of Tasmania, Hobart, AUSTRALIA)
Translating Words: Is Petyarre an Abstract Painter?
4. *Linnell Secomb (Gender Studies, University of Sydney, Sydney, AUSTRALIA)
‘Looking from the sky’: Perspective and Space in Aboriginal Art
5. *Rosalyn Diprose (Philosophy, University of New South Wales, Sydney, AUSTRALIA)
The Art of Dreaming: Merleau-Ponty on Flesh Expressing a World
10.02 (IS-02) DIFFERENTIAL AESTHETICS [Albert Room]
Organized and Introduced by *Penny Florence (Contemporary Arts Falmouth College of Arts, Penryn, Cornwall, UK)
Chaired by TBA
1. *Nicola Foster ( Philosophy and Art, University of Essex, Colchester, ENGLAND)
Towards an Aesthetics of Difference
2. *Sharon Mary Morris (Fine Art, Slade School of Fine Art, University College London, ENGLAND)
Touch of Being: Towards an Aesthetic of the Index
3. Jeremy Gilbert-Rolfe (Painter and Critic, Art Center College of Design, Pasadena, USA)
The Place of the Aesthetic in Post-modernism
4. Norman Bryson (History and Theory of Art, Slade School of Fine Art, University College London, ENGLAND)
The Trace in the Scene of Drawing
10.03 (IS-03) WRITING AESTHETICS, EAST AND WEST [Spark Room]
Organized by *Hwa Yol Jung (Political Science, Moravian College, Bethlehem, PA USA)
Chaired by *Gabeba Baderoon (English Language and Linguistics, University of Sheffield, Sheffield, UK)
l. Shigenori Nagatomo (Religion, Temple University, Philadelphia, PA USA)
Aesthetics and the Body in Japanese Philosophy/Culture
2. Liu Kang (Comparative Literature and Chinese, Pennsylvania State University, University Park, PA USA)
Aesthetics and Politics in Contemporary China
3. *Miranda E. Shaw (Religion. University of Richmond, Richmond, VA, USA)
The Naked, Dancing Female Body: Object of Desire or Subject of Passion
4. *Hwa Yol Jung (Political Science, Moravian College, Bethlehem, PA USA)
Sinism and the Aesthetics of Nature
5. Jeffrey Ethan Lee (English, University of Northern Colorado, Greeley, CO, USA)
Aesthetics and Asian-American Literature
10.04 (IS-04) DELEUZE-BERGSONISM AND THE ONTOLOGIES OF THE VISUAL/PERFORMATIVE ARTS [Walton Room]
Organized by *Barbara M. Kennedy (Film and Cultural Studies,University of Staffordshire, Staffordshire, ENGLAND)
Chaired by Marcel Swiboda
1. *Simon O’Sullivan (Art History and Visual Culture, Goldsmiths College, University of London, London, ENGLAND)
Virtualities at the Edge: Gilles Deleuze’s Bergsonism vs. Robert Smithson’s Mirror Travel
2. Ola Stahl (Fine Art, University of Leeds, Leeds, ENGLAND)
The Expansion of Aesthetics and the Production of Specificity
3. *Michael Vaughn (Philosophy, University of Warwick, Warwick, ENGLAND)
Bergson: Two Senses of Creativity
4. *Barbara Kennedy (Film and Cultural Studies, University of Staffordshire, Stoke-on-Trent, ENGLAND)
Thinking Ontologies of the Mind/Body Relational: Fragile Faces and Fugitive Graces in the Processuality of Creativity and Performativity
5. *Anna Powell (Film Studies, Manchester Metropolitan University, Manchester, ENGLAND)
Becoming-Monster: Deleuze and the Anomalies of Horror
10.05 (IS-05) REMEMBERING ANTONY EASTHOPE [Waterman Room]
Organized and Introduced by *Angelica Michelis (English, Manchester Metropolitan University, Manchester, ENGLAND)
Chaired by TBA
*Angelica Michelis (English, Manchester Metropolitan University, Manchester, ENGLAND)
*Robert Lapsley (Film Studies, University of Manchester, Manchester, ENGLAND)
*Scott Wilson (Cultural Studies, University of Lancaster, Lancaster, ENGLAND)
*Ulrich Haase (Philosophy, Manchester Metropolitan University, Manchester, ENGLAND)
10.06 (IS-06) QUESTIONING AESTHETICS [Kramer Room]
Organized and Introduced by *Constantinos V. Proimos (Philosophy of Art, University of Crete, Rethimno, GREECE)
Chaired by *Thomas Hannaford (Philosophy, Magdalen College, Oxford, ENGLAND)
1. *Constantinos V. Proimos (Philosophy of Art, University of Crete, Crete, GREECE)
Kitsch and the Disintegration of Aesthetics
2. *Brendan Prendeville (Historical and Cultural Studies, Goldsmiths College, London, ENGLAND)
Discernment
3. *Carole Talon-Hugon (Philosophy, Université de Nice, Nice, FRANCE)
Word and Image
4. *Elias Constantopoulos (Architecture, University of Patras, GREECE)
Words Hiding Practices : Design versus Decoration
5. Douglas Hedley (Philosophy of Religion, Cambridge University, Cambridge, ENGLAND)
Art, Imagination, Truth
10.07 (IS-07) DOMINIQUE JANICAUD AND THE SHADOW OF HIS THOUGHT [Grimshaw Room]
Organized, Chaired, and Introduced by *Hugh J. Silverman (Philosophy and Comparative Literature, Stony Brook University, Stony Brook, NY USA)
1. *Daniel Charles (Philosophy, University of Nice, Nice, FRANCE)
The Time of Dominique Janicaud
2. László Tengelyi (Philosophy, Universität Wuppertal, Wuppertal, GERMANY)
Dominique Janicaud and the New Phenomenology in France
3. *Robert Bernasconi (Philosophy, University of Memphis, Memphis, TN USA)
Janicaud among the French Heideggereans
4. *Wayne Froman (Philosophy and Cultural Studies, George Mason University, Fairfax, VA, USA)
Dominique Janicaud and Minimalist Phenomenology
5. *Peter Gratton (Philosophy, DePaul University, Chicago, IL USA)
Sharing the French Scene: Janicaud's Contributions to Thinking Partage
GROUP 11 - DERRIDA THE MOVIE,
FOLLOWED BY A DISCUSSION WITH THE DIRECTOR AMY ZIERING KOFMAN
Thursday, 29 May 2003 film starts at 18:00
STER CENTURY CINEMA LEEDS
Moderated and Introduced by Stephen Barker
Discussion with Amy Ziering Kofman (co-director of the film)
Two minutes walk from
the Town Hall (see Leeds
City Centre Map)
The Light, The Headrow, Leeds LS1 8TL
RECEPTION - LIFE BAR - 20:30-22:00
The DERRIDA film and discussion will be followed by a reception in the Life Bar
some food, one free drink (with ticket obtained with registration packet) and a cash bar.
The Life Bar is in the Light just down
the street from the Cinema.
Address Life Bar: Life Café Bar Restaurant, The Light, 44-48 The Headrow,
Leeds LS1 8TL